Filmmaker Karim Aïnouz decides to take a boat, cross the Mediterranean, and embark on his first journey to Algeria. Accompanied by the memory of his mother, Iracema, and his camera, Aïnouz gives a detailed account of the journey to his father’s homeland, interweaving present, past, and future.

A young marine navigation student suffers intense anxiety during his final exams, when an incident from his past returns to both haunt and help him.

A mental hospital somewhere in Tuscany during the thirties. Far away from fascism, this closed world is rules over by Dr. Bonaccorsi, a passionate benevolent psychiatrist whose dream is to isolate the germ of madness. He is also a very active ladies'man and makes three women benefit from his sexual itch: Francesca the hospital manager's wife, Bianca, his devoted nurse and Carla, a nymphomaniac doctor's wife. His well-ordered universe starts being challenged with the coming of Anna, a trainee psychiatrist, who disapproves of his theory on the origin of madness. Worse, she resists his advances. As Bonaccorsi is more insecure than he looks, what will become of him?

The sequel to Ancient Prophecies I & II which also looks at a variety of prophecies and interpretations of prophecies ancient and modern. Hear how astrology is used by business's and leaders of nations throughout time. Learn about the future scientific discoveries such as cloning, gene hackers, drug resistant viruses and artificial intelligence. Find out about the prophecies hidden in the psalms that have been decoded.

The sequel to Ancient Prophecies I & II which also looks at a variety of prophecies and interpretations of prophecies ancient and modern. Hear how astrology is used by business's and leaders of nations throughout time. Learn about the future scientific discoveries such as cloning, gene hackers, drug resistant viruses and artificial intelligence. Find out about the prophecies hidden in the psalms that have been decoded.

Presented by Egyptologist Dr Joann Fletcher who goes on a fascinating journey in search of people like us, not the great Pharaohs, but the ordinary people who built and populated this incredible place, creating a remarkable way of life. Dr Joann explores their homes, workplaces and temples.The programme originally aired on BBC2 and we meet Kha and Meryt, an architect and his wife who lived just outside the Valley of the Kings. They left behind a treasure trove of information; their extraordinary tomb, full of objects from their lives and deaths - from make-up to death-masks, loaves of bread to life-like figurines, even the tools Kha used at work in the royal tombs. Joann Fletcher uses this to travel into the remarkable world of these Ancient Egyptians,.

Teine Sā - the ancient spirits of the Pacific are stirring. Revered and feared in equal measure, these sacred gods have crept back into the modern world to engage with five different women facing their own demons.. Teine Sā is a series of stories of modern day issues impacting Pacific women who look to the atua of the past for guidance. Teine Sā are the ancient spirit women, with the ability to bless and curse in equal measure. From the notorious goddess Telesa to the Hiama of the Solomon Islands, these tales of the unexpected take age-old stories on many twists and turns.

During Viola's time in Japan he created Ancient of Days (1979-81). This film begins with the sound of cars and an image of fire. You view the fire and when it is extinguished a man nails something to the table which was in the fire. This section seems to be displayed backwards from the original firing. After the nailing a cup, clock and teapot appear. The shot then switches to a monument. Now the sounds of wind entertain your ears. Much time is spent viewing the monument. As in The Reflecting Pool, the shot is at the same viewpoint the whole time. You are left viewing different skies, background of pastel purple, pink and blue. White clouds increase as the film advances. As it progresses you see different groups of figures walking around to the monument in the distance. Then the shot goes to night and you are left with the view of a city and cars driving. Defiantly a unique angle atop of a building and moving till you are viewing it upside down. There is a great contrast of light sky and dark buildings. Then you are taken out of the city back to the country with a snow covered mountain and a kid squatting playing in a bush. There is a sound of something and the kid runs away. The color changes over the whole screen. That view of the mountain is now placed on the side of a building on a television in the city. The image changes to windsurfing. The shot moves into the crowd with the sound of someone singing. This all slows down, then stops and goes to a room inside with the view of a clock ticking, a picture on the wall and flowers. You hear people talking, someone sneezes and then the picture disappear and the shot fades.

During Viola's time in Japan he created Ancient of Days (1979-81). This film begins with the sound of cars and an image of fire. You view the fire and when it is extinguished a man nails something to the table which was in the fire. This section seems to be displayed backwards from the original firing. After the nailing a cup, clock and teapot appear. The shot then switches to a monument. Now the sounds of wind entertain your ears. Much time is spent viewing the monument. As in The Reflecting Pool, the shot is at the same viewpoint the whole time. You are left viewing different skies, background of pastel purple, pink and blue. White clouds increase as the film advances. As it progresses you see different groups of figures walking around to the monument in the distance. Then the shot goes to night and you are left with the view of a city and cars driving. Defiantly a unique angle atop of a building and moving till you are viewing it upside down. There is a great contrast of light sky and dark buildings. Then you are taken out of the city back to the country with a snow covered mountain and a kid squatting playing in a bush. There is a sound of something and the kid runs away. The color changes over the whole screen. That view of the mountain is now placed on the side of a building on a television in the city. The image changes to windsurfing. The shot moves into the crowd with the sound of someone singing. This all slows down, then stops and goes to a room inside with the view of a clock ticking, a picture on the wall and flowers. You hear people talking, someone sneezes and then the picture disappear and the shot fades.

A behind-the-scenes documentary on the making of 2003's "The Lord of the Rings: The Return of the King." Created by filmmaker Costa Botes, personally selected by director Peter Jackson, this documentary uses raw footage to reveal the inside story on how the greatest adventure film franchise was born.